He created 'Quotidiana Delirante' for Norma in 1997. In the following year, he made an adaptation of 'Peter and the Wolf' and Laura Esquivel's novel 'La Ley del Armor'. In 1995, following a trip through Portugal with writer Éric Sarner, he illustrated 'Une Lettre Trouvée à Lisbonne' in the collection Voyage sans Amarres of D.S.
His best-known book is 'Trazo de Tiza/Trait de craie ' (1992). With Fernando Luna, he created the police parody 'Manuel Montano' in Cairo in 1987-88. He also produced erotic stories, which appeared in L'Echo des Savannes. For Les Humanoïdes, he made such books as 'Chienne de Vie' (1988), 'C'est du Sport' (1989) and 'Y'a Plus de Justice' (1991). Book collections of his work were published in Spain by Norma Editorial, and by Casterman and Les Humanoïdes Associés in France. In the 1980s, he contributed to magazines like Creepy ('Mar de Tinieblas'), Comix Internacional ('Fragmentos de la Enciclopedia Delfica'), Zona 84 ('Stratos'), El Jueves, Cairo and Cimoc. Jackson describes the video, created by Myzyk & Moriceau of Division & Mathematic (), as “castration dynamite and phallic entertainment for everyone”.Miguelanxo Prado, born in La Coruña, studied architecture, while he published his first work in the fanzine Xofre. Jane (Fill me up)” by Jackson and his Computer Band.Ĭreated by Mrzyk & Moriceau of Division & Mathematic. Some proposed ag-gag laws would also cover zoos and puppy mills, and would officially label anyone who breaks them as a terrorist.” The laws don’t exist in Texas. The laws, so far enacted by Utah, Kansas, Arkansas, Iowa and Missouri, make it illegal to take undercover photos or videos of farms. “Industrial farming, especially of animals, tends to be hidden from public view - and under so-called ag-gag laws… Mishka Henner, Satellite Photos of Industrial Farming in Texas In his death-defying series The Struggle to Right Oneself the 42-year-old visual artist acts as his own model, falling from buildings, bridges, trees, mountains, and more - all while capturing each fall with his lens.” 376 “We’ve all heard of the suffering artist, but photographer Ke rry Skarbakkais taking the idea of suffering for one’s craft to a whole new level. “The result is a combination of mixing different techniques and materials, such as Neverwet (a super hydrophobic coat on a metal sheet) designed using anamorphosis to enhance the volumetric of the drops and finally, photographed by Lou Cardarola to this final image.” 36 35 23 8ĥ Gum campaign by photographer Saddington Baynes 14Īntarctic wildlife, photos by Justin Hofman 237 32 Adobe remix, by Alex Trochut, interpretation of ADOBE logo design.
0 kommentar(er)
